Tag: infrared converted camera

  • Half Dome in Infrared – A Monochrome Monument of Yosemite

    Half Dome in Infrared – A Monochrome Monument of Yosemite

    This black and white infrared photograph captures the awe-inspiring grandeur of Half Dome, Yosemite’s most iconic granite monolith. Shot with an infrared-converted camera, the familiar landscape is transformed into a surreal and hauntingly beautiful scene. The glowing white foliage, rendered ghostlike in infrared light, contrasts sharply with the imposing, textured face of the rock and the swirling, high-altitude clouds above.

    The infrared spectrum pulls unexpected detail and drama from both the sky and stone, revealing the raw power of Yosemite’s terrain in a way traditional color photography simply can’t match. The exaggerated contrast and dreamlike luminance evoke a timeless, almost otherworldly feel—as if the scene belongs to both the past and some distant future.

    This image is not just a documentation of a landmark; it’s a reimagining of a natural wonder through the lens of invisible light.

  • Infrared Light in Moraine Park – Rocky Mountain National Park

    Infrared Light in Moraine Park – Rocky Mountain National Park

    During my May 2025 trip to Rocky Mountain National Park, I set up near Moraine Park with my infrared-converted camera to capture a different side of the Rockies. From this vantage point, the rugged ridges funnel the eye toward the heart of the Continental Divide, framed by drifting clouds that carried the last breath of winter.

    What infrared does here is transform the familiar into the surreal. The meadows and pines, glowing with that signature silvery light, look almost as though they’ve been dusted with frost, even in spring. Against this brightness, the dark stone faces of the mountains rise like sentinels, their snowfields blending into the luminous IR glow of the forest below.

    The lone tree in the meadow has always caught my eye when I’ve walked this valley — in infrared, it becomes even more symbolic: a quiet anchor in the middle of vastness, dwarfed by scale yet standing apart.

    What I love most about this photograph is the contrast in moods: the dreamlike brilliance of the landscape against the weight of storm clouds rolling overhead. It’s both otherworldly and deeply rooted in place — a reminder that the Rockies are never just one thing, but always a balance of extremes.