I use a mix of film and digital equipment, mainly from Nikon, Sony, and Hasselblad. For me, the choice is always about creative intent and what each system does best.
For fast‑paced situations, I usually reach for Nikon or Sony. I have a larger collection of Nikon DSLR lenses, so in many cases the Nikon system is the most practical choice. Most of my moon photographs, for example, are shot with a Nikon paired with the 200–500mm lens and a 1.4× teleconverter.
When I want maximum detail—such as for architecture or landscape work—I use the Hasselblad 100‑megapixel system. It’s slower to operate, but the resolution and dynamic range are unmatched.
For more expressive or character‑driven photography, especially portraits, I often choose film. The Hasselblad 500C remains a favorite for its distinctive film look and the tactile experience it brings to the process.
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